Gender and Feminism in English

אוקטובר 13, 2016

אוקטובר 13, 2016

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us

אוקטובר 13, 2016

Hollywood’s hero-lawyer movies are a distinct group of American feature films. Typically, they each depict a lawyer who unwittingly finds himself at the heart of a moral drama involving a client and/or a community in distress, gross injustice, the rule of law and powerful, obstructive forces that must be overcome. Alone with nothing at his side but his professional

אוקטובר 13, 2016

Law movies typically feature champions of justice—archaically dignified, like Gregory Peck’s 1962 Atticus Finch (To Kill A Mockingbird, Pakula 1962) or bitterly disillusioned, like George Clooney’s 2007 Michael Clayton (Michael Clayton, Clooney 2007), these champions are often what I have labeled “hero-lawyers” (Kamir 2009; 2012). Cinematic hero-lawyers embody natural justice combined with the law of the land. Often reluctantly, they come

אוקטובר 13, 2016

In a move that strengthens the political and normative power of the Israeli courts, and especially that of the Supreme Court, the Israeli judiciary has construed the statutory definition of murder in a manner that allows the courts, while determining criminal responsibility, to conduct an additional, disguised procedure of labeling and normalizing. Courts have construed

אוקטובר 13, 2016

This chapter offers a perspective on the status of Israeli women in 2014. Rather than present the standard review of women’s rights in the public and private spheres, the extent of their sexual victimization and their status in politics, the workplace and academia, the chapter explores Israeli women’s contemporary cinema and follows the themes and critiques raised by it.

אוגוסט 16, 2016

Every Breath You Take traces the evolution of notions of stalking and stalkers from ancient mythology through medieval folklore and nineteenth-century literature to contemporary film and social science. Critically analyzing stories of stalking within a wide range of historical and cultural discourses, the book suggests that such stories serve social functions, enforcing traditional gender roles